Hi Gary,
Thanks for the very kind compliments.

QUOTE (GaryInMiami @ June 3 2008, 08:40 PM)

I think we need to keep in mind that in some ways Ian had matured since his break-up with Frank.
Yes, you describe the situation exactly.

One of the key elements of the story is Ian's progress from teenager to young man. He is slowly maturing but by the end of the story he still has a long way to go. Matt's very different personality acted as a catalyst for the process of maturation.
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I saw it as his own quiet, Ian-ish way of letting Matt know he was in love with him while still not being able to actually say the words. It seemed to be good enough for Matt and isn't that what really counts.
For Ian, and for Matt who has grown to understand what a PDA means to Ian, the PDA is worth more than words. Ian, in his earlier rambling speech to Matt had tried to describe his feelings without actually saying 'I love you'. Matt isn't stupid, so he must know that what Ian describes fits at least one definition of love. So the PDA is confirmation of what Matt already knows.
For many people it is easy to say 'I love you' and (cynic that I am) I think that it is easier for people to say those words if they don't really mean it. It isn't that Ian can't say the words but that he has learned not to trust those words. He knows that the words themselves are meaningless, or at least that the meaning is different for different people.
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Would the most logical progression be to start with your earliest story and work my way forward to the most recent, TQ?
As you've already read Tapping and TQ, I'm not sure what you mean here?
All the stories are different and unconnected so it doesn't really matter what order you read them - unless, of course, you want to see how my writing skills and choice of topics have evolved over the years.
For example, NAE (my first story) was written, or at least most of it was written, when I was young, naive, and in love. So it not only reflects my inexperienced writing skills but also my rather simple-minded romanticism at the time. Don't get me wrong - as a story I don't think that it's bad, in fact I think it's a good read because it's very plot-driven, but it's not something I would write now.
Tapping, my second novel-length story, is intermediate in that the plot drives things along but I was also starting to explore the main character's psychology more.
TQ is an exploration of Ian's psychological development as well as asking questions about the nature of love and hope.
The short stories (have you seen my shorts?!?!

) were all written about the same time, within a few months of finishing Tapping. Apart from the obvious subject matter of the stories, I wrote them also as an exercise in self-discipline, i.e. could I tell a story concisely in a short-story format. I like to experiment!

(BTW, my next story, another short, is pretty experimental in a couple of ways, one of which being that it is my first third-person story)
So I guess that if anyone did want to see how my writting developed over the years they would read the stories in the following order:
NAE
Tapping
Just Visiting
Timing
Road Not Taken
TQ
Hope that I've not rambled on too much and given you more info than you really wanted!
Thanks again for your lovely comments.
Kit