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Found 16 results

  1. Foreshadowing

    I believe that one of the biggest tricks you can ever hope to pull off in writing a story is the art of foreshadowing, which is a LOT more challenging than you might think it is. This is due to the fact that you have to be able to set up a series of major events in advance...without letting your readers know what those events are ahead of time. In fact, you don't even want your audience to know that you're doing it at all until you get the pleasure of landing that 'zing' moment upon them later on. It's one of literature's most impressive magic tricks! And hopefully, this little piece will help you to effectively pull it off without a hitch. So...let's get started. What is foreshadowing? It's the daunting task of secretly setting up future events in your story ahead of time without letting the reader in on the secret. For example...maybe your main character just happens to be a computer hacker. That might not have anything to do with 75% of your story...but as you reach the climax? You might have an issue where someone says, "If only we could find somebody with the ability to hack into the system!" Dun dun dun! Your main character just so 'happens' to have some hacking experience! Something that you casually alluded to earlier on in your story. Problem solved. The question is how do you set up that important payoff in advance without your audience rolling their eyes and saying, "Well, THAT'S definitely going to be a part of the story later on! Ugh!"? It's not easy. Trust me. Readers are much more savvy these days. People absorb sooooo much media in a single evening these days. They've seen every movie, read every story, heard every song...no matter how HARD you try, they will always try to outwit you and jump twelve spaces ahead of you to figure out what you're going to do next. Everybody's looking to be the first one to shout out, "CALLED IT!!!"...followed by them calling your work contrived and predictable, of course. (Sigh...I really hate that second part...) But when people are reading ten to fifteen stories a week, sometimes even double or triple that number, it's hard to surprise them with much of anything at all. You have to be sneaky about it. You've got to toss a banana peel on the floor. (Tosses banana peel!) And while I realize that giving some of my secrets away will now make readers even MORE savvy and it will ultimately make things harder for me to ever surprise them with anything ever again...I'm going to give them to you anyway. Because...why not? Hehehe! The first part of the process is obviously the most necessary piece of the puzzle. PLANNING! Planning, planning, planning! This is something that can't be ignored, skipped over, or taken lightly with you story's foreshadowing. You need to know, ahead of time, what's going to happen, why it happens, and what impact it's going to have on the rest of your story as a whole. Remember, your readers already have a seriously unfair advantage when it comes to your creative solutions and set ups. So if you're going to write a story with any surprises at all...you're going to need to take their advantage into account. Because some people are just WAITING to tell you that your story sucks! Hehehe! And that they're smarter than you for figuring things out before you told them what was going on. They live for it. Be prepared for that. Just kidding. They're not that bad. Plan! And don't be 'vague' with your planning. You have to have a definite idea of where you're going to end up from the beginning. Before you even start writing a story where foreshadowing is a technique that you want to use, figure out what you want to reveal, when you're going to do it, and how you want to hide it. Vague and unspecific planning leads to severe plot holes and inconsistencies later on in your project. A good example would be the original “Star Wars” trilogy, where it is revealed that Luke and Leia are brother and sister...but were clearly seen kissing in the first episode. Ummm...yeah, so...great plot twist, but you might want to have a major detail like that worked out beforehand. Otherwise, it only causes problems in the end. So, to avoid this...try to visualize your story fall the way through. Try to think of it as your own personal movie trailer. Seriously, if you were going to market this to an audience, what would be in the trailer? What happens in the beginning, what happens in the end, and how do you get from point A to point B in an entertaining way? Think of all the interesting major events that will carry your reader on the journey you want to take them on? Visualize it in your mind. Now, once you have the whole story in your mind (Don't worry, you still have enough flexibility to spontaneously change things around while you're writing. I know that inspiration can be unpredictable, but that's where some of your best work comes from.) it's time to move on to the second part of your magic trick. Pick your moments. When thinking about your completed story, ask yourself, “What are the events that stand out to you? Which ones are most important? Which events will have the biggest impact on the over all outcome of the story?” These are going to be your golden moments, and the ones that you want to concentrate on building up to. Great use of foreshadowing can really bring an already exciting moment to the next level. Imagine if your main characters are being chased by some kind of deadly enemy and they're trapped at the end of an alley with a locked door. Nowhere to run, nowhere to hide. What do you do? Well, what if the main character notices a special shaped keyhole in the door, and suddenly notice the chain around his neck...which holds a charm that fits the lock? Imagine him giving it a last minute try in a moment of desperation, and it opens the door...saving everyone from an untimely demise. Awesome! The hero wins again! But something like that can't just 'happen' in your story out of the blue. That would seem a bit weird, right? So, how do we fix that? Foresha...DAMMITT!!! You guys said it before I did! See? Quit trying to jump ahead of me all the time! If this is going to be a big moment later on in your story, you're going to want to make a few 'loose' references in it ahead of time. Maybe the charm on his neck was given to him by a lost parent when he was younger, or by an ally that he met in his journey's along the way, or maybe he took it from a slain enemy...however you want to work out the fact that he now has the essential tool that he needs hanging around his neck at the moment he needs it most, use that. It sets up that magic moment when he finally realizes why he has it, and everyone reading will say, "Oh yeah!!! I remember he had that from before!" Or...some of the folks who are skipping ahead will be silently screaming, "Use the charm! Use it! C'mon!" Both of these things are good for your story. So don't worry too much, either way. What you want to do is sufficiently set up the future scenes in your stories early, so when that big moment hits, your audience will be able to think back and trace the natural progression from one moment to another and have the big 'design' suddenly be revealed to them. This method goes for whatever you're writing. If you're writing a romance story, you don't just want two people getting together and a few paragraphs later they're already making out and dry humping on the living room couch. I mean...where did that come from? You know? Romances use foreshadowing too, albeit a lot more visible. Maybe they meet, they smile at one another, the develop an interest for one another, they begin to flirt, then they get some time alone, and...when they finally share that very first kiss, you readers can go back and follow the breadcrumbs as to how all of this happened. That's all foreshadowing is...setting up the big events that are going to ultimately define the kind of story that you want to tell. Now comes the hard part. CONCEAL! If you're foreshadowing consists of someone giving your main character a charm to wear around his neck and saying, "This will save you when you need it most."...then that's all your readers will be looking for from that moment on. They will have a whole 'Batman' board on their wall with pushpins and photos and strings, connecting one event to another, trying to beat you to the punch. You've got to be sneakier than that. Here...follow me into my secret Comsie lair! (Laughs as you slip on a banana peel!) Hehehe, do you see what I did there? If you go back and read the beginning of this article, does the mention of a banana peel being tossed on the floor seem odd or out of place to you? Just Comsie being dumb and goofy again, right? Good! That's the point. The only reason I even put that sentence or two in this article was so I could bring it up again later and use it as a lame joke to prove what I was talking about. That's foreshadowing. Put it early in this post, and then go on talking until you forget about it, and then bring it back when you least expect it. So everyone reading this can go back to the beginning of this article later on and think, "Damn...you got me, Com. Bastard." When hiding your foreshadowing clues, you want to simply mention them as though they're something insignificant. Something mundane that won't really mean much in the future of your story. A few good ways to do this is to hide it in some random dialogue between characters, or to perhaps have something much bigger going on at the time that it's mentioned. You use the 'shiny' object to distract your audience, and then slide the true gems right under their radar without them knowing it. The conceal and reveal part of the process is the fairy dust needed to make this magic trick work, after all! This takes practice and instinct and it's VERY hard to pull off in a story anymore! As I said, people have seen every plot twist, every red herring, every distraction, by now...and trying to misdirect them is going to be an exhausting experience. And even then, some will spend a lot of time trying to figure you out and beat you to the punch. BUT...if you can make your clues subtle enough, do a little misleading, and then announce everything early enough to have your readers 'forget' about them by the time you're ready to spring the big revelation on them...it CAN be done. And if you can catch just a FEW of your readers off guard with a well executed secret...there's no better feeling in the world than that! Hehehe! Especially when you've been laying the breadcrumbs out ahead of time. You can practically hear their jaws drop all around the world. Hehehe! To find some examples of expert foreshadowing, I'd recommend a few movies that I think did a great job of it. No spoilers, don't worry! Give these movies a look, watch them twice if needed. "The Sixth Sense", "Usual Suspects", "Frailty", "Seven", "Angel Heart", etc. Check out the way these movies build tension, give you hints, and then force you to go back and watch what you missed the first time around. This is what you want to accomplish. Study them and see what made them work. Then...go and do it better! Being able to toy with your audience is a skill that has to be earned over time, so start today! Hehehe! Plan ahead of time, pick your moments, and be sure to hide your hints and clues as best as you can! It's all you can do! But the payoff is sooooo worth it in the end! So take a stab at it, and I wish you guys the best of luck! Happy writing, you guys!
  2. Love Rivals

    What would an involving and engaging story be without some sort of conflict written into it? And what could possibly be a bigger conflict in a romantic/erotic story than a direct rival for the love and affections of the boy of your protagonist's dreams, right? Here he is, making all the right moves, saying all the right things...and here comes some drop dead gorgeous stranger to throw a monkey wrench in the whole works and screw it up for everybody involved! Arrrgh!!! How upsetting is that? Today, we're going to talk about 'love rivals' in our erotic stories...and how we can use them and the complex situations they bring with them to our advantage. When you're writing about love, especially if it's young love or first love, there's an added intensity to the idea that you've finally found perfection in a mate of your choosing. What happens when that perfection is challenged? As I wrote in a past story once, when you're building something beautiful together...you have everything to gain. But once you've got it...you have everything to lose. And if you want a love rival to be a part of your story's conflict, that's something to keep in mind. Because it can take just one mistake, one moment of weakness...to destroy everything and send your happy couple right back to square one. The threat of that happening can be devastating to your main characters, so use that to twist the story into a knot and keep your readers engaged as to what might happen next. What you want from a rival is a certain look or personality that is incredibly appealing. Not only to the love interest, but to the protagonist as well. There should be something about him that is instantly noticeable, maybe even addictive. Whether they be drop dead gorgeous, super rich and/or famous, really funny, or particularly charming. Maybe this other guy has a certain something in common with the love interest that the main character doesn't. Maybe they share a passion for something, or they spend an awful lot of time together. The idea is to raise suspicions and doubt as to what would happen if these two were left alone for an extended amount of time, and accidentally 'shared a moment' that they decided to surrender to. Write their interactions as 'innocent', but more than friendly. Put yourself in your characters' shoes. How would you feel if the love of your life was giggling and trading inside jokes with another guy who was just as cute as you were, if not cuter? Let the tension reach a slow boil, until questions have to be asked and lines have to be drawn. Done right, your readers will begin to take sides between your characters. Some will side with your protagonist, some will think he's being over protective, and some...will just end up falling in love with the rival because they like him best! (Hehehe, if only I had a nickel for every time I had THAT happen in one of my stories!) Either way, your audience will be more involved, and their further involvement is what writing a story is all about. You've got their attention. Spotlight, on. Now put on a good show. While there are nearly infinite types of love rivals that you can use for your story, I'm going to talk about what I consider to be the main three. Number one..."The Schemer" Now this is probably one of the first love rivals that comes to mind, as it is one of the most dangerous. The schemer is an actual 'villain' in your story. He's devious, he's determined, he lacks sympathy or any sort of moral compass when it comes to breaking up a relationship in order to get what he wants. And what he wants is your boyfriend. Now, the important thing to remember when writing this kind of rival is not to make them TOO despicable. You want to intrigue your readers, not frustrate them. I've found that the best way to create the scheming rival is to play with varying degrees of 'evil intent', all while adding in a hint of purpose and reason into what they're doing. Meaning, they're not completely detestable just for the sake of being detestable. Maybe your rival has true feelings for his target and is just trying to snatch him up for himself. His affection is real, and he can't let it go. Maybe it's someone who's been hurt before, or someone who is manipulating the situation because he thinks he's a better match. It's fun to play with their dark side a little bit, but remember to make them human. The reason that they're an actual threat to your hero is because, despite their sinister ways, they are charming enough to possibly win your love interest over if given the proper opportunity. If he's just a jerk that nobody likes, there's no threat at all. Remember to make his presence an actual menace to the rest of the plot. You can only do that if your devil has a decent disguise. Number two..."The Clueless Beauty". Now this kind of love rival, I feel, works best when it's used to bring your main character's insecurities to the surface, creating an inner conflict that your readers might identify with. The Clueless Beauty is usually someone who is everything you're main character is not. Usually a total knockout in the looks department, firm body and a sexy smile. Often very popular, extremely witty, smart...the kind of boy that anybody would fall head over heels in love with if given the chance. But he's not a schemer. He just happens to be the dreamiest boy on Earth, and he's wandered into the lives of your main characters, creating a sense of paranoia and projection every time he's around. He may not have any ill intentions at all, but the very fact that he's around is a temptation in itself. A temptation that might make your protagonist crazy with worry that he's not good enough to hold on to his boyfriend with 'Mr. Perfect' always smiling in his directions. Now, there's a lot of ways that you can play with this kind of rival...it can create arguments between the two main boys, or it can cause a drastic change in your main character's behavior, or it can actually cause them to withdraw from one another. Whether you want to go as far as to have something 'happen' with this beauty during the telling of your story is up to you. But the idea behind the Clueless Beauty rival is that he's not there to deliberately create havoc between your lovely couple...even if he ends up causing it anyway. Number three..."The Divided Heart". Where the other two rivals are most often paired up with the love interest, leaving your main character to ache and worry about it, the Divided Heart rival is a challenge that is more attached to your protagonist than his boyfriend. What makes this rival so interesting is that he can either be a schemer or a clueless beauty or something else entirely. The idea is to have someone that develops feelings for your main character, and provides a temptation of his own that will challenge him to stay true to his boyfriend. There's an added intimacy here, because there's the obvious ego stroke of meaning so much to someone else, as well as an opportunity to dig deeper into the inner thoughts and feelings of your character. This rival should have an alluring quality about them that actually implants thoughts of 'what if' in your protagonist's mind. He's happy with his boyfriend...but there's a 'novelty' in this other person. Something that is attractive, and opens up that naughty part of the brain that is always looking for a way to have it all. Perhaps he fits into a tiny little spot of his heart where his boyfriend doesn't. Having even a slight interest in him could create some real tension in your story, as your main character struggles with the 'grass is always greener' idea. Maybe he feels bad about it. Maybe he doesn't. Maybe it catches him by surprise. Or perhaps it's an old love or a long lasting crush that he just can't seem to let go of. Play around with the way you write the idea, and have him sway back and forth between his admirer and his true love. Make sure to display why both choices are so tempting with your writing, and you'll be able to keep your audience swaying along with you. So, there you have it! If the story you're writing is going to toss a love rival into the plot as an obstacle and a threat to the peace and harmony shared between your two main characters, try to keep some of these ideas in mind. Whether he's a conniving bastard, an innocent cutie pie, or a love struck dreamer, it can strategically add some playful drama to your project. And it will keep your readers thinking and talking about it after they finish the current chapter. That's always a good thing! Hope this helps! And I'll seezya soon with more!
  3. Getting Motivated

    Sometimes...the hardest, most unbelievably difficult, part of any story...is the first five paragraphs! It is grueling, it is maddening, it is downright FRIGHTENING at times! And it's hard to really explain why that is to people who don't write all the time. It's a level of insanity that only writers and other artists will ever really know. Because this is the 'kickoff' when it comes to starting a new project. It's the equivalent of throwing the first punch in a fight. Like..."Ok! This is it! Here we go! I hope I know what I'm doing!" And while writing may seem like a relaxing, expressive, and therapeutic exercise in general...this first step forward can be more intimidating than any other part of the process. This is the leap of faith. This is telling yourself that you're actually going to take a shot at making this idea in your head a reality...and you'd better do it right. Because you can't be an artist without taking your armor off. You've got to be vulnerable. You've got to show people your true self, and HOPE that they approve. The world is watching now. I can't think of anything that could be more terrifying when it comes to writing my own stuff. So I'm right there with you, even after years of practice and experience. The thing is...the pressure to get things right on the first try can create a feeling of dread in all of us...even if we don't recognize it as such. We begin to procrastinate. We tell ourselves that our ideas aren't ready yet, or that we're still 'fleshing it out', or we just start binge watching Netflix shows so we have an excuse to not commit until later. And while that keeps our mixed up creative minds calm and comfortable for the time being...it can stop our most gifted thoughts and emotions from ever making it on to the page. Or...the screen. Whatever. We need to recognize this subtle self intimidation for what it is so we can conquer it and actually get something done. Otherwise...your personal story is going to stay stuck in limbo for YEARS...if not forever! So let's push that weirdness aside and get MOTIVATED, shall we? First things first...sit at your keyboard, and open up that program. Whatever you use to write with...open it up, and let that harsh blank page stare you in the face until you come up with something to say. That's the hardest part. Think of your story as a whole, pick a golden spot to start from, and then word your first few sentences based on that idea. Easier said than done, I'm sure. But that's the most important part of writing anything. Getting the ball rolling. I realize that a million thoughts are going through your head at this point, and it's easy to feel like the entire story is weighing heavily on your shoulders, but you just have to dive into it without thinking too much. In our heads, we may be thinking of characters and story elements that are waaaaay down the road from those first few sentences. Twists and turns and romantic encounters and everything that we had planned out from the very beginning. But for right now, you just want to find that special jump off point. Nothing else. The rest will come naturally as the story progresses, so try your best to keep from feeling like you have to write an entire book In one sitting by the stroke of midnight. That only adds to the pressure, and before you know it, you'll be opening up your YouTube account in a separate window and you'll be right back to being lazy and distracted. Hehehe! STOP that! For me personally, when I want to get a brand new story or even a brand new chapter of a continuing story started...I think about the main character and where I want him to be at that particular point of the story. Who is he? Where is he? How can I put this character in a place where I can provide the reader with some much needed information about him/her/them? I've written stories that start off with my protagonist's relationship with their parents, and some where they seem to just be hanging out with good friends. Sometimes, their life starts out normal and that beautiful stranger shows up later to flip their whole world upside down. Other times, the very first sentence of the story might be, "He was the most beautiful boy I had ever seen." Boom! You're instantly drawn into the moment. You get a chance to describe the love interest, maybe give a brief history of where this beauty came from, and also have the main character show the audience who they are. Starting a story is all about picking the right moment. Different ways of doing this could be starting at the 'end' of your story, and explaining how the main character got there by having the whole story play out as a flashback. Or you could choose a moment that seems mundane at first, but is soon given detail and meaning through the first few paragraphs to follow. But you want something that will grab your reader's attention right away. Something that will intrigue them and urge them to keep reading to see what happens next. Once you choose that moment, and you make that leap...you can settle in and begin molding your sculpture into something beautiful. Find a moment that starts your main character off in the middle of his journey. At the top of the roller coaster, just about to take that first exciting dip downward...so that you, as a writer, can get excited about this story too. There will be an urge to start off really slow, thinking that you have to have a basic beginning before you get into anything more interesting. Don't. Get your readers involved right away, and if you have to go back and add some more details to your foundation later, then so be it. But, as I always say, an author's worst enemy is that 'backspace' button on the keyboard. You've only got a small window to impress your readers, especially if they're brand new to your writing. So don't take the 'slow burn' approach. Dive in, and have the dive right in behind you. Once you begin writing, the momentum will build all on its own. You'll begin to feel your fears and tensions relax, and focus more on the flow and rhythm of what you're writing in that chosen moment. Simply pick your peak...and then ski down to the bottom of the mountain when your muse is all out of juice. Then...take a break. Don't force it. Allow the idea to be 'born' on its own. Your only job is to kick it into gear. Visualize where you want to go, and force yourself to take those first few awkward steps towards getting there. Don't let the distractions and excuses stop you. Write a few sentences. Then a few paragraphs. Then a few pages. And the more you build upon what you started with, you'll find yourself pounding away at those keyboard keys until you almost don't want to break away to go to sleep for the night. You may not believe me now, but give it a try. I'm willing to bet you'll be surprised what happens. Passion feeds on its own fumes...so get started. Because the longer you wait, the longer you'll WANT to wait. There will always be a reason not to write. Always. So don't think that you're going to be the first author in history to be 'called to arms' when the feeling hits. No...you've got to make that move on your own. Take the initiative. Deliberately step forward, and like gravity...the story will pull you in the right direction until the feelings in your heart have been expressed. Just push a little bit. Just enough to get started. That's all you need. The rest will write itself. I hope this helps you procrastinators get started with your newest projects. If you feel yourself hesitating every time you sit down to write...then take notice of that hesitation. Why won't you write? What are you afraid of? Just GO! Type! Do it! It's a small step, getting started...but it isn't easy. Be aware of that obstacle...then beat it. Happy writing, folks! And I wish you all the best of luck!
  4. Losing Work And Starting Over

    It is, quite possibly, the WORST feeling in the world to have poured your heart and soul into a project...ALL of your emotion...ALL of your creative energy...only to have some kind of crazy computer glitch just 'zap' it right out of existence forever. Gone. Never to be seen again. The experience is heartbreaking! I've had it happen to me quite a number of times in the past. Either the 'Save' function didn't work like it was supposed to, or the file got corrupted...my laptop fizzled out on me, or my files got hacked, or my website was shutdown without any warning...I can honestly say that I've probably LOST just as much writing as I've posted on my website over the years. And it never ever gets any easier to deal with. Because, while writing takes time and notes and a game plan set into motion ahead of time so you know what kind of story you want to make...the actual writing itself is a very emotional and spontaneous act. You sit at your keyboard with a feeling and a purpose...and you 'bleed' through your words. Right then, right there, while you're in the moment. You search for just the right words. Just the right phrases. Just the right metaphors. And with your passion and focus working together...you create moments in your writing that express exactly what you're thinking and exactly how you're feeling at that particular time in your life. Once you lose that...even by accident...you can't ever get those moments back. It's like setting fire to a photo album full of your baby pictures. It hurts. Especially when it's something that you worked really really hard on so you could get everything just the way you wanted it. Yeah, there's no feeling in the world like losing your creative expression with a technological screw up or the click of the wrong button. BUT...that doesn't mean that you have to give up on saying what you need to say with your work. If you want to take some time before starting over, that's fine. In fact...I encourage that. But when the anger and the frustration passes, you've got to pick yourself back up, add some wood to the fire, and get your ass back in gear. If this was a story that you felt you needed to tell the first time around... you still need to tell it the second time around. What's changed? You have something in your heart that you wanted to share with the world, and chances are that the world needs to hear it. So dust yourself off and get back to work. That story isn't going to magically write itself. Get up, soldier! There's work to be done! Having been through this sad process myself many times before, I hope this article will inspire you guys to keep going, and take steps towards starting again, despite the harsh blow that our imperfect tech might have dealt you. Step number one...'Grieve'. Hehehe, seriously...take a short break to get over losing all of your hard work. The reason I say this is because it's a truly aggravating experience, and there will be a sudden urgency within you to try to jump right back into your story and start typing away before you lose all of the wonderful things you had in mind before they leave you! I can tell you from experience...this is a mistake. Any writer that is truly invested in their own work and writes from the heart 'exposes' themselves in their writing. It's automatic. The emotion flows freely and it affects your every word choice and description that you put on that page, and if you charge into rewriting your story with a head full of anger and frustration and despair...those feelings are going to come through in your writing. Your readers will feel it. And unless a pissed off author who just lost a lot of hard work and had to start all over from scratch is the vibe that you're going for...you're going to end up writing a very different story from the one you intended to write initially. So...it's gonna SUCK for a while, yes...but take a few days to breathe and get all that out of your system before jumping back into it. K? Your readers will subliminally detect your frustration no matter how careful you think you are about hiding it. Or...they'll just figure out the hint from the number of 'F'-bombs and heavy exclamation marks you use in this new version! Hehehe! Step number two...'Look for your notes'. I once made the huge mistake of keeping a majority of my notes and ideas for stories online. Needless to say, I don't do that anymore. I don't trust ANY online program to keep my hard work safe unless I absolutely HAVE to! Not a server, not a word processor, not my own email, not a 'cloud'...NOTHING! I've been screwed over by every last one of them in the past. So *FUCK* the internet! Hehehe! (See? That frustration? It's still there, and it comes out in my writing. Hehehe!) I actually go out, and I buy physical notebooks and physical pens and I jot down notes on my own where I can see them and hold them in my hand. So unless my house burns down to the ground, I don't have to worry about something like...WebTV suddenly ending their service and losing a TON of my emails and saved stories in the process! Grrrrr! Keep personal notes on your spontaneous thoughts and feelings concerning a certain story, and keep them in a place where you have easy access to them. If the unthinkable happens, and you lose your story online...go back to the notes that you took ahead of time, and use that 'bare bones' structure you referred to in order to write the first story as a guide to start over again. Not only will you have access to your most awesome ideas, but after reviewing them, you might even come up with NEW ideas that you never even thought of beforehand. They will help to keep you in the same frame of mind, so always keep your notebooks close to the hip. Step number three...'DON'T try to recreate your original work'! I speak from experience when I say...that will never ever happen. I don't mean for this to sound depressing, but all of those thoughts and emotions and literary choices that you made 'in the moment' to create that masterpiece of yours? They're gone. Gone for good. And they're never coming back. This is something that you have to take some time to embrace and accept so you can move forward. You will drive yourself CRAZY trying to remember the exact wording of certain passages and dialogue that you wrote before. Trying to rewrite your opus, word for word, isn't possible. You will only end up weakening your own writing by even attempting such a thing. Let your old project go. Keep the feel of it, but start anew. You have your notes, you have your passion and your focus, and while you may see many 'shadows' of your previous work in your new project...it'll never be the same. Don't go backwards and try to create a carbon copy of what you've already done. Move forward, and write something even BETTER. Otherwise, you'll just be rehashing old ideas and stale emotions from moments that have long passed you by, broadcasting your regret to your readers for not being able to effectively pull it off twice. It's ok. There *IS* no effectively pulling it off twice! That's what makes writing so personal, and so unique. Have faith in yourself. You wrote a masterpiece before, you can write one again. Your talent hasn't changed, nor has your drive to tell a great story. So go for it! It'll be fine. K? A quick recap... #1 - Take Time To Grieve. Don't rush to start writing again. Losing irreplaceable thoughts and emotions SUCKS!!! Take some time to wring that out of your system before you try to 'clone' your own genius. #2 - Look For Your Notes. The ideas and brilliant bits and pieces of or your original story might still exist in the notes you took before writing it the first time. Get yourself back in the same frame of mind and remember why you wanted to write that story in the first place. It might inspire you all over again. It won't work. Don't try to build a story off of worn out feelings and 'spur of the moment' expressions. The best thing that you can do is build a brand new version of your original story, based on what you're feeling right NOW. Let it be just as heartfelt and spontaneous as it was the first time without looking back. Follow your heart. Let your muse speak to you without restriction. Your instincts won't let you down. K? That's it for this particular article. I hope it helps. And remember to save save SAVE your work! Keep TEN copies in ten different places if you have to! Email it to yourself at three different accounts! Save it in LibreOffice, in Notepad, on Google+...ANYWHERE that you can save a copy...save one. After 'gay material' witch hunts on Tripod, and email malfunctions, and laptop or hard drive crashes...I have grown WEARY of losing some of my BEST work to technology. But...as much as it hurt...I had to keep going. And you guys can keep going too. So take some time, watch some TV, deal with the loss...and then give it a second try. You may end up topping what you originally had planned!
  5. Introducing Sex Into Your Story

    There are two schools of learning when it comes to writing erotica...some people want a full story with drama and tension and build up...and some people are rock hard already and want to find something hot to get off to! Hehehe, and sometimes we understandably flip flop from one to the other. Depends on the mood, I suppose. But if your writing a story, and you label it as 'erotica'...just keep in mind that no matter how intriguing the story is, no matter how adorable your characters are, or how talented you are with words, style, and metaphor...a great deal of your audience are going to be actively searching for the erotic part of that equation. And that means a touch of the 'naughty' between the people they're reading about. But when is the appropriate time for you to introduce sex into your story? You don't want it to be too soon, or it won't have the same 'umph' in the delivery. But you don't want to take so long that your readers get frustrated with the long wait either. So where's the middle ground? Let's discuss. I started out writing stories that matched the stories that I used to read online. Super HOT! They were mostly short, one chapter, stories that had one hot boy meeting another hot boy, trading names, finding a way to be alone, and then shagging each other silly! Hehehe, and I LOVED it! Sometimes, I still get in the mood for a hot quickie, to be honest. There's nothing wrong with it. Sometimes, it's exactly what you're looking for and exactly what you need. In fact, I suggest you write a few yourself, just to get your name out there and use it as a draw back to some of your other stories that might be longer and have a little more depth and plot to them. However, many times those stories can feel like eating a handful of cookies to hold you over until dinner. It satisfies, but it's not as much nourishment as something that you might find a little more emotionally substantial. I think that introducing sex into a story has a lot to do with how you, personally, view sex in general. No matter what your feelings are about it, tell that story. If you hold that level of intimacy to a much higher standard and think it should be something that your main characters don't take lightly...then take your time and tell that story. But if you think sex is just a normal expression of what you feel and don't want to dive into the whole 'angst' and slow build aspect, and would rather go forward with something sexy and hot without I being that big of a deal, then write THAT story too! Hell, try both if you want to experiment with the difference. But sex scenes in your story should truly reflect a very private and vulnerable part of who you are as a person. Allow yourself to explore the kind of sexual exploits that you would want to have in real life. If you could have it any way that you wanted it...what would you do? How would you do it? This is your self orchestrated wet dream, so go wild with it, right? I like for things to take a very natural and realistic pace in my stories. But that pace is also set by the kind of story that I want to tell. Sometimes I want to write about someone who has spent the better part of their lives lusting over the one they want, and once they're given the opportunity to dive in to a situation...they go for it, full throttle, with no regrets. However, there are other stories that I write where there's a certain level of insecurity and intimidation that comes with having a sexual experience with the boy of their dreams. Especially if it's a virgin experience, which is something that I try to handle with delicacy and a bit of grace. I wrote an article on building up to the 'first kiss' in your story, and I feel the same way about sex in a story. Let it be a reward, not only for your main character, but for your readers as well, for sticking it out through the plot points that come before it. So there's a balance that you'll have to play around with and determine on your own. However, you want to play the 'long game' but still want to add some sex into your story before your audience gets too antsy, a good way to achieve this is through a masturbation sequence or a dream. Possibly even a series of naughty thoughts while staring at their love interest from across the room. That way you can add something truly sexy to your story without having to rush your main characters into doing the deed before it feels natural. Also, since this is your personal fantasy, feel free to really express yourself through the type of sex you want your characters to have. Write it your way, and make it sizzle. The hotter it is to you, the hotter it'll be for your readers. If you want a slow, romantic, grind in the bedroom...then throw yourself into it and bring out the sensuality of that moment. If you're more of a 'rough rider', and want something fast and breathless...then try to capture the spontaneity and desperation involved. Do you want your characters to do something secretive, or in a public place? Maybe you want something more innocent and experimental. Or perhaps a bit more on the dominant/submissive side. Whatever your particular flavor is, you're running the show. And you want that first sexual encounter to be as erotic as humanly possible, as it's going to set the standard for every hot scene to follow it. It takes a little instinct and a lot of practice, but if you can bring sex into your story at just the right moment, and you make it something explosive...your audience will be strapped in and ready to ride with you until the very end. So go on out there and put a smile on their faces!
  6. Getting Yourself Out There

    So, you've done it! You put in the time and the energy and the effort, you've drained yourself creatively, and you've put together a story that you can be proud of. One that can touch and inspire as well as excite and arouse. Awesome! Now, all you have to do is put it out where people can read it so they can be thrilled by your genius. Just find a place to post your work...and wait. And wait... And wait some more... Ok, so what's going on here? Where's the praise? Where are the great reviews? You poured your heart and soul into a story that you think is really impressive and well put together. So what happened? Well, while writing the actual story is a fun a passionate experience for a writer who's searching for an audience...it's not enough. That's not to say that your story isn't great literature. It might be a truly engaging story, filled with heart and wit and written with immaculate skill. But merely putting it in a place where people can see it doesn't mean that it'll get seen. That takes extra. Hehehe, don't groan! This part can be a lot of fun too! So let's talk about getting yourself out there, and getting some readers to notice your talent. The first thing that I want to tell you, before we move any further...may sound a bit discouraging, but don't let that bother you. Ready? Here goes... Chances are...I'd say that 85% of all the people who read your story online...will never send you any feedback on it. That sounds pessimistic, but I'm actually being optimistic by keeping it at only 85%. It's something that I've learned after many many years of doing this, and at first, it's going to be really disheartening. A part of you is going to think that if people liked they story, they'd tell you so. So the deepest cut of all for any writer is silence, because they immediately assume that you didn't like it or weren't interested. That's a mentality that you've got to break before anything else. Get past that. The internet is full of so many distractions that it would be impossible to even begin to appreciate it all. Think of all the Youtube videos you didn't like or share, or all the articles you've read, or the meme images that you laughed at and moved on. It's not that you didn't 'like' it, you've just got a lot more going on. So lose the idea that a lack of response is a comment on your talent or the quality of your work. That's not always the case. That kind of thinking will only demoralize you and keep you from moving forward. Got it? Good. Now that we've got that out of the way, let's get into the meat of it... It takes more than simply putting your work in a public place to get noticed. You spent all this time on getting your story just right, so why not market it a little bit? Let people know how to find you among the thousands of other people who are doing the same thing. We can look at this in three layers. The first layer is on the surface. You want people to check out your story? You want to draw them in? You're going to need to catch their eye. You need to be the shiny object on the table in order to grab their attention. We start with a 'catchy' title. Something interesting, something different, but uncomplicated enough for a potential reader to commit to memory. If you title your story, "Gabe's Story"...well, there's nothing wrong with that, but will that grab your attention when somebody is scrolling down a page of 150 other story titles? Also, if you call your story, "The Unbelievably Annoying Chortle Of My Best Friend"...that's going to scream 'skip' to people who have never read your work before. Those titles can come off as wordy and a little offbeat to the point of turning some readers away. Once you establish a fanbase, that can change. But just starting out and building a name for yourself takes mass appeal. You want the average reader to take a random chance on you so you can show them what you're capable of. You shouldn't judge a book by its cover...but people do. And in cases of online fiction, a lot of times you don't even GET a cover! So the title is everything. The second layer? WRITE!!! Write until your fingers hurt! Write until your back aches and your butt is flat from sitting in your computer chair for so long! If you can get up from your seat and not ache and feel stiff and worn out...you haven't written enough. Take a break and come back to it. A great way to get yourself noticed is through short, one time, stories. A story told from beginning to end, maybe somewhere between 3000 to 5000 words max. Something that will give you enough room to build character and a decent plot, but won't get too involved to the point where it takes half a novel to make your point. Think of it as a collection of 'extended examples'. And experiment with different genres and ideas. Keep a pocket sized notebook on you at all times, you'll need it for jotting down spontaneous ideas. The idea is not only to practice and hone your craft, but to have a variety of stories out there for people to find. If you have only 'one' story out there, no matter how amazing it may be, getting it noticed will be harder for you. Maybe you have a title that doesn't grab the reader's eye. Maybe you have a theme that a percentage of your readers aren't instantly enthralled with. Or maybe you just got passed over for no reason at all. BUT...if you have five stories on that list, somebody is about to find ONE of them. And when they read it, and discover that they LOVE what you have to offer...they'll immediately look for other stuff that you've written. By that time, you'll have a wealth of material that will prove to them that, "Hey, that story you liked wasn't a fluke! I've got more!" You want them to love 'you' as a writer, even more than your individual stories. Stand up and prove you're up to the challenge of impressing them with almost everything you put out. Build a 'brand' for yourself, one that people can believe in. If you've written a high school love story...try a college story. If you've written a modern story...try something with a sci fi twist. Every time you try a new genre, you grab a new audience. And those audiences will all follow the breadcrumbs you leave behind to see what else you've created to give it a chance as well. This is how you build multiple fanbases. Except, since you're at the center of it all, all your fanbases combine into one entity. You may only write one story, but some people might enjoy it, and some may not. Write two stories? Some people might like one, and not like the other. Write five? You might get three stories they love, and they'll give the other two a try, even if it's not really their thing. The more you write, the more material you put out there, the better chance you have of getting your work noticed by new readers. Simple mathematics. The third layer? Get involved with your readers! This is probably the most fun part, at least it is for me. You get to meet and talk to a lot of really great people, and get some feedback on your work at the same time. The first thing you want to do is have an email account where people can reach you. Make yourself readily available for comment and review. Even if you get criticism, that part is important too, because it'll give you a different perspective on your writing in general. Get a Twitter account! Get a blog! Get a mailing list! Find a way to build your own forum, and keep a constant presence in ALL of these places at all times! Be there. Get to know your audience personally. If they can take the time to say, "I liked your story", then you can take the time to say, "Thank you!" Let them know what you're working on next, listen to what they have to say and use it to get an even better idea of how your writing is being seen by other people. Adjust accordingly. Also, make sure to add your contact and social media info on everything you write. Put it at the top of your manuscript, so people can see it before they read a single word of your story. And then add it again at the bottom of your story, so when they finish, and they have that big smile on their face and that sugary sweet feeling in their heart, they can look at it and go, "Oh yeah, I can actually 'talk' to the person who wrote this! Let me send them a quick message." Invite some sort of interaction between you and your audience. They are really COOL people! I've made some of my best friends ever through the stories I've written, so allow them to get to know you, and then you'll get to know them in return. Like I said, this is the FUN part! So, a short recap... Step 1 - Grab their attention with an interesting title and a well-written story. Step 2 - WRITE! Get as much quality material out there as you possibly can! Let me put emphasis on the word 'quality'. Don't just put a bunch of mediocre fluff out there for the sake of having a bunch of stories online. That will only hurt you in the end. Don't rush. Do it right. Your potential fans will appreciate the extra effort. Step 3 - Be social! Start by giving people a way to contact you directly, and then set up public ways to let everyone know when you have something new in the works and when it's getting released. Do this on your own. There are sites with automatic announcements and daily updates and the like, which is great...but that works best for the 'website' you're on. You want to actively connect with your personal fanbase on your own. Your direct involvement should be your main priority, and all other websites should be a very cool bonus in helping you get attention. Not the other way around. Try out a few of these techniques, and I can guarantee you that you'll start increasing your fanbase within a matter of weeks. It takes time and effort, but anything that's worth it always does, right? It's not a 'trick' or a 'strategy'...it's simply a matter of you taking the passion that you put into your stories and extending that to the people who enjoy them. So don't take the self-promotion step for granted. Remember, a work of art loses its value if there's no one around to see it. Don't let your hard work fall into that category.
  7. Character Flaws

    Are any of us perfect? I mean, I'm sure that a lot of us realize that we're not actually perfect...and the few that do believe they're perfect are often blind narcissists...hehehe, and therefore NOT perfect! Honestly, that's not even something that I would ever want to shoot for. If perfection is determined by some sort of direct formula or standard, if it's a bunch of little boxes that all have to be checkmarked to be considered a part of that group...then that would mean it's our imperfections that make us different. Unique. Hell, even mildly interesting. Who would want to toss that aside from a life free from stress, worry, and pain? Am I right? Hehehe! We're not perfect...our characters shouldn't be perfect either. Today...we talk character flaws. Now, when I say the word 'flaw', I don't you guys to start cringing and worrying and shouting out, "But I don't WANT my main characters to become unlovable douchebags!!!" Shhhh, calm down. It doesn't have to go that far. Ok? Character flaws can be minor. They can be human. And if you plan ahead and play your cards right, you can use those flaws and the flaws of your love interest, to build a wonderful story arc where your characters learn to battle those demons and overcome those flaws for an amazing story that can get your readers to think, evolve, and maybe even change themselves. It's all in the way you put it together in your story. So, what are flaws? What are we talking about here? That's the big question, right? Well, I happen to be a very flawed individual myself, and I'm fully aware of what those flaws are. That's what helps me maintain a conscience about them and try to fix them when they get in the way of me being a decent human being. Naturally, as a writer's creation is always a reflection of the writer, those flaws trickle down to my characters, and I use them as chess pieces to tell a bigger story and to hopefully have a deeper theme. Even if it's done in a slightly exaggerated way. It's easy to want your protagonist to be a good soul and a true angel, through and through. Even easier for your main love interest to shine even brighter and be even more magnificent, to the point where the entire choir of Heaven shouts down at you from the clouds above at his mere appearance. Ohhhhhhhhh, Hallelujah! But as tempting as it is to do that, you're going to end up running out of things to say VERY quickly. There would be no conflict. No adversity. No challenge. What would you do for the rest of the story? "I love you." "I love you more." "No, I love YOU more!" "Unh unh...I love YOU more, times infinity!" Yeahhhh...don't spend ten pages doing that to your readers. That's just plain mean. Hehehe! When I speak about character flaws, I'm talking about typical human traits that could somehow be used to add a touch of literary color to what you're writing. Maybe your main character is a great guy, but he has a bit of a jealous streak. He's involved in his first gay relationship ever, and his brand new boyfriend is talking to the star quarterback of the football team? How would you feel? I have written stories where one of the boys was 'out and proud', but his boyfriend wasn't. There's a slight friction there. I wrote a story where the main character was the victim of physical abuse from his father, and finds it hard to even believe in himself enough to approach his own boyfriend without being suspicious. I've written about people who have had their hearts broken before and are afraid to love again, boys who feel inadequate because of their financial status, or boys who think the person they're in love with is so far out of their league that even trying to ask them out seems like a waste of time. These are all HUMAN traits. They're situations that we've all dealt with in one way or another. Some people are painfully shy, some have a mean streak in them, some have religious constraints, some have age restrictions, some have problems with alcohol, or drugs, or just an unhealthy connection to their ex-boyfriend. These things can be used to enrich your characters and give them a added level of depth, they're not meant to ruin them or make them unlikable. Not at all. In fact, the very concept of dealing with these personality flaws can become the backbone of your story and make it an exciting read for everyone who's reading it. While the loving relationship, the breathless kisses, and of course...the mind-blowing SEX...is the centerpiece of most erotic stories, how much cooler would it be to also touch on a partner dealing with substance abuse? Or maybe cheating on their significant other? Or maybe keeping people at arm's length because he's scared of commitment? Everything from the insecurity of being with an online 'celebrity', to the aggravation and agony of a long distance relationship, can become an enthralling part of your project, and it might just touch people in a deeper way than you ever thought possible. To me? A super hot, super perfect, person...falling for another super hot, super perfect, person...doesn't hold much entertainment value. It's GREAT for a ten minute session of 'cocking the shotgun', hehehe! But once you clean up, who really remembers that? It's not that I don't understand the true intention of erotica, but if it doesn't feel like a real experience to your readers...then it becomes less about your writing and more about their fantasies. Which would mean...they could get the same thing anywhere. From anyone. If you want to stand out, never be afraid to add a little extra layer to your stories and have an impact. I'm not saying that you have to turn it into a soap opera about something else entirely, but drawing attention to little flaws and having them deal with it between marathons of naked sex-scapades will only help you to stand out even more. And it'll keep people coming back for the next story you write. And the next. and the next. I'm thinking that's a goal a lot of us are working towards.
  8. Set the Stage

    Imagine if you were watching a movie or a play for the first time. You've never heard of it before, you've never seen any advertisements about it, and you don't even know what it's going to be about. Now...imagine if you could hear the dialogue and everything that's going on...but the stage or the screen is shrouded in complete darkness for the first fifteen minutes. You can't see anything at all. You just have to sort of listen to the words and use your imagination to figure out what's going on. Well, the problem with that is...once you bring the house lights up, once the movie visuals actually kick in...the people watching may have your vision all wrong. And that can be a huge stumbling block. Writing is no different. In fact, putting out certain details as early as possible in your story is even more important. Because your readers' imagination is three-fourths of the whole experience, and the last thing you want is for them to spend too much time in the dark before you give them the basics. That's why it's so essential to 'set the stage' before getting into anything that will push your story forward. When someone clicks on your story, most of them are going into it blind. What will it be about? Who are the characters? When does it take place? For example, imagine if you read a story about a guy who's out in the park with his dog, and they're playing fetch, then he sees a guy that he thinks is absolutely gorgeous, and after a brief conversation they decide to go out to a local café for a drink. Seems simple enough, right? Now...imagine that your story has gone on for a few pages, and you don't start giving some basic details to your reader until they're already sitting down to dinner. Out of nowhere, you mention that both characters are high school juniors. Wait...what? Oh, maybe your readers were picturing them as being a bit older. Ok, well, they can deal with that. They keep reading, and you mention the dog was this giant Great Dane. Whoah! You might have pictured a dog that was a lot smaller, but...no big problem. Then maybe you mention that it's Winter time and there's snow on the ground, but your readers were imagining it being a nice Summer day. Then you mention that it's 8 PM at night, and the guy has a full beard and glasses and looks older than he really is...oh, and did I mention this story takes place in 1975? What could have been a very sweet beginning to a story has now baffled and confused your readers, because every time you add some major detail that they weren't told from the get go...they're forced to stumble, erase their previous ideas, and readjust their imagination to fit the details you're giving them. Which can sometimes be frustrating and it can give the story a clumsy start. Always remember, this is the internet. There are WAY too many options out there for you to have a clumsy start. The 'back button' is not your friend. Whenever I start a story, I try to use descriptions of that particular moment so anyone reading can get a real sense of where they are, who they're looking at, and when it's taking place. Now you don't have to spend paragraph after paragraph spilling every last detail at your reader's feet all at once, but you want to give them a sense that they can see what's going on. Because once your audience has dreamed up a solid idea of what everything looks like...that's the vision they're going to be instantly invested in. If you throw them a curveball after they've already made up their minds that the main character is a modern-day teenager from the suburbs, and you tell them, "No, he's really a gritty, chain-smoking, detective from 30 years in the future"...hehehe, we'll that's going to be a problem. If you're writing about a teenager, maybe have your opening scene start out in a classroom, or next to his locker, or at his best friend's sweet 16 birthday party. Maybe have his mother or father call him down to breakfast. These little cues will put the idea in your reader's minds that, "Ok, we're dealing with a high school kid here. Got it." And then they can continue reading, while emotionally attaching themselves to your vision instead of creating one of their own, and later having the two conflict with one another. In a future setting, maybe have someone fiddling with some sort of futuristic gadget, or describe some giant metropolis with floating holograms and hovering cars. If it takes place in the old West, maybe mention dirt roads and people riding past a saloon on horseback. Whether you describe a corporate office full adult businessmen, or a couple of kids sword fighting playfully with a couple of sticks in a Medieval castle, or walking through an apocalyptic wasteland...try to find creative ways to let your readers immediately know who, where, and when, before you get too involved with any other part of your story. That way you can be on the same page...pun intended. Hope this helps. Just remember that the faster and easier it is for your readers to get involved in the world you're trying to build, the more powerful your story will be. Set the stage first and then start building momentum from there. The last thing you want to do is trip them up right out of the gate.
  9. Show, Don't Tell

    It's been said many times before. It's practically one of the first basics that every writer learns, that every mentor teaches, and that every critic jumps on. That is the idea of 'show, don't tell'. And yet, while many people may hear that, to some it's a bit unclear as to what that really means, or how to achieve that particular goal. Hopefully, this would give you a slightly better perspective on what appears to be a very simple task on the surface, but actually takes a little practice and finesse to pull off correctly. The first thing to pay attention to is the difference between showing and telling. The 'telling' part of the equation is simple...these are the details of who your characters are and what's going on during any particular scene. Telling is a vital part of writing, so even though people say 'don't tell', don't think of telling as being the enemy. Telling is describing what your character is wearing, the color of his hair, how clean or how messy his bedroom may be, or whether or not it's raining outside. These are all things that your readers are going to need to know if they want to fill out a complete picture in their minds. You can also use telling to describe a certain action. Use it to let your reader know that your character crossed his arms, or that he gave your protagonist a slightly goofy grin. Maybe he's shuffling a deck of cards while he's talking or sipping beer out of a plastic cup. These are all acts of 'telling' your audience what they need to know and giving them a clear vision of where they are and what's happening. Now 'showing' is a little bit different. Showing is the talent using the basic details and actions above to tell a much deeper story. Think of telling as getting the ingredients, spices, and garnishings together for a gourmet dinner...and showing as actually having the skill to use those ingredients to make your dish a masterpiece. Sometimes, this is where some people get a little shaky, and if you try to cut corners on this part of the process, you'll be missing some of the emotion and reader involvement that you need to make your story memorable. Let's say you have someone in your story who's a friend of the main protagonist...but he can be a real jerk sometimes. Now there's nothing wrong with describing him through narration or simply writing, "He's my friend, but he can be a real jerk sometimes." That's perfectly functional, but that's just you 'telling' your readers that he can be a jerk. How do they know that? What are you going to do to demonstrate that? Simple...you create situations in your story (Even if they're very small scenes) that actually show him being a friend and other scenes that show him being a jerk. Maybe you have a small scene where he stands up for his best bud against a bully, but in the next scene he runs up and smacks the books out of his hands because he think it'll be funny. Just a few actions like that will give your readers the information they need about the character, and you won't have to waste time 'telling' them that. Find ways to use your story to actually demonstrate what you want your readers to know. Instead of saying, "He was so beautiful!" try creating a scene where your character is just caught off guard and keeps looking back at him. Describe his eyes, his hair, his laugh. Create an infatuation that your readers can feel and take part in. Just saying 'he's beautiful' isn't going to be memorable or important later. But readers will definitely remember that scene and think back to all the times they've felt the same way. It builds a stronger connection to what's going on. This works for everything. Moments of heartbreak, sadness, anger, and joy. Your characters' actions and spoken dialogue should say more about them than just what you type out on the screen. Every time you're describing something that isn't just concrete details...ask yourself how you can prove to your readers that the statement you just made is true. If you call someone a tough guy, or say that they're really funny, or that they seemed really shy and uncomfortable...ask yourself if you can find a way to demonstrate that through their actions instead of just saying so. Someone who's shy might look down at the floor when he talks or blush when given a compliment. Someone who's sad might seem distant or might be heard sniffling softly in a corner all by themselves at a party. Don't be afraid for your characters to speak for themselves and show who they are without the extra help. I hope this helps a little bit and gives everyone something to think about while you're writing or editing your next story. A few well-written moments in your story will create memories that your readers will cling to and remember. Unless you've just written one of the greatest, most quotable, sentences in the history of literature...no amount of simple words and details will have the same effect. Then again, if you can do BOTH...then go for it!
  10. Welcome to the New Year! We are wrapping up the last of the Writing Tips before launching our new weekly article feature. Be sure to check these out and let Comicality know what you think!
  11. This week, we start posting articles by Comicality. These are in our Writing Tips category in the story system. When we catch up on all those tips, we'll start posting new ones directly right in this blog. Keep an eye out! In the meantime, check out these tips by our very own Comicality:
  12. Week 3 of our Writing Tips Article Review is upon us. This week, we have an article from Don H and sat8997.
  13. Welcome to Week 2! As we continue to highlight previously posted Writing Tips, we'll bring you something old and something new.
  14. Welcome, everyone! Starting early in 2018, we will be posting weekly articles by Comicality and other authors every Saturday morning. I wanted to get this kicked off so between now and then we'll be posting links to previous Writing Tips, which can currently be found in our Stories Archive in the Non-Fiction -> Writing Tips category. Please be sure to check them out. Read and review! The three for this week are from Lugh:
  15. How do I make my story the best it can be? Before posting, make sure your story has the best editing possible. A good story becomes great when it's well-written. Make use of the Writing & Editing Corner forums. Know how to space and punctuate dialogue, craft characters who could step off the page, know point-of-view and how to use it.... Make use of all the story meta data fields. Write a description that sells the story, not just describes it, to make people want to read it. Use all the tags. Make sure you follow the posting guidelines in regards to the formatting to make sure you post it correctly so everyone can read it.
  16. Happy Wednesday everyone! I hope everyone is having a great week so far. I was looking through the possible posts that I had for today and I decided that it's been a while since we had a grammar lesson. Wouldn't you know it, I actually had one sitting around, just waiting for an opportunity to be showcased in the blog! So, without further ado, here's today's writing tip, courtesy of Cia. Enjoy! Adverbs and Adjectives ~ Helping or Hurting by Cia Today I want to focus on ways adverbs and adjectives hurt writing instead of helping. How do we structure sentences to avoid unnecessary phrasing and descriptions, but still keep a story strong visually to the reader? One of the first things that came to mind when I considered this subject was the use of adverbs and adjectives. My personal view on writing is to keep my words from interfering with the story, and that usually requires keeping things as simple as possible. First, for those who haven't had a grammar class in a while, I'll define them. Adverbs and Adjectives are words that describe or modify a noun, verb, adjective, or adverb. They're describing words. But do we need them? Of course we do, to some extent. Describing words do have their place, like when you want to use an adjective to describe a noun. Will a reader 'see' a character better if I say they are wearing dirty jeans and a ripped hoodie than if I said they are wearing jeans and a hoodie? Yes. Dirty and ripped in the sentence describe the clothing and give the character a very different appearance than the reader might otherwise picture. If I need to show that my character is homeless, those two words go a long way in presenting my character. When writing fiction, we try to create a picture for the readers. For that we need adverbs and adjectives. It is hard to write anything without them. Adding useless describing words is easy to do without realizing it, though. Take a look at my first paragraph. 'Unnecessary' 'first' 'personal' 'usually' are all describing words. The trick comes from deciding what type are useful and which ones are not. Are the adverbs and adjectives I used words necessary? Some are, but one I just pointed out is not. Can you find it? Do I need unnecessary to describe phrasing and descriptions? Well, since I want to point out that they don't need to be used, sure. However, did I need 'personal' in front of view? If I take it out, you still see that it is 'my view', so you have to know that its personal, right? In that sentence personal is an adjective I could remove. Those are subtle uses of describing words writers need to consider removing, especially when writing stories with word limits. Some are easy to spot, like icy cold, steaming hot, or running swiftly, transportation vehicle, alternative choices, etc... Others like my personal view, are not quite as easy to pick out but just as redundant. These should be eliminated as often as possible. Another type of adverb to avoid are those that tend to spring up around verbs. Often, they are words like very, typically, carefully, always, just, often, etc... Most of the time, they're not necessary. Other times, they make a phrase clunky or wordy, when changing the verb would work. Examples: Redundant adverb: She always gets a coffee at 3 PM every day or She gets a coffee at 3 PM every day. If she gets the coffee every day at 3 pm, do we really need always there? Redundant adjective: The fundraiser was a complete and total failure or The fundraiser was a total failure. We don't need both complete and total, as they mean the same thing. Redundant adjective: The noisy fan's constant squeaking drove her nuts or The fan's constant squeaking drove her nuts. Do we need noisy to describe the fan when we then describe the noise it is making? Verb changing adverb: He reaches quickly for the falling stack of books or He lunges for the falling stack of books. Here, a more descriptive verb for the movement eliminates the need to use the adverb. Amused by her comment, he just gives her a smile or Amused by her comment, he smiles. Using just gives really isn't necessary when you could change the action to smiles. Both Adverbs and Adjectives: He softly walks into the room, trying not to wake his sleeping wife or He tiptoes into the room, trying not to wake his wife. Here, tiptoeing describes the walking and if he doesn't want to wake her she is obviously sleeping so that word can be removed.

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